#i hope you like my answers friend

[kimium]

I was tagged by @m34gs in this post HERE! Thanks for the tag, friend! Took me a moment to figure out how to do this. Anyways, I'm done, so let's talk about this!

Anime with a Favourite Opening/Ending Song:

While this was a touch choice, and almost went to Attack on Titan, I picked Jujutsu Kaisen because it's one of the rare anime when I love all the openings. If I had to pick a favourite opening it's a tie between VIVID VICE and Specialz.

Anime you recommend others watch:

Without a shadow of a doubt I recommend Anohana to everyone. It's a coming of age story centred around a difficult topic, yet there are light moments. However, it's an anime that always makes me cry, so be prepared to not just watch a coming of age story but also an emotional character dive.

Anime that shares a genre with the centre anime:

It would have been easy to pick another adventure/fantasy/sci-fi anime and call it a day, but I think I did well picking Sabikui Bisco. The anime is set in a post apocalyptic wasteland. There is awe and wonder outside of the city but also danger. Government cannot be trusted and medicine/scientific advancement is a key element to the story, which are all elements that FMA has.

Anime that shares Eng. VA with touching square:

Laura Bailey who voices Lust in FMA also voices Tohru Honda in Fruits Basket! Actually, Fruits Basket and FMA have many English VA overlaps, but Laura is the one I first thought of!

Favourite Anime of All Time:

Fullmetal Alchemist is my favourite manga of all time, so I had to go with the 2009 remake. While the 2003 anime still holds a nostalgic place in my heart, nothing compares to the manga's story to me.

From the plot, pacing, character arcs and design, and art direction I truly believe Fullmetal Alchemist is a near perfectly written and produced series from Hiromu Arakawa.

Anime that shares Japanese VA with touching square:

Paku Romi who voices Edward Elric in the Japanese version of FMA also voices Hitsugaya Toshiro in Bleach.

Shares a Similar MC Energy with centre square:

The obvious comparison is Senku and Edward are both genius scientists who did the impossible (Senku with his counting and Edward with human transmutation), however there are other traits the two share. Both have a bit of a mischievous side and both can be singularly focused on their scientific goals. Finally, both are hopeful in the face of peril and use their wits and scientific knowledge to win in the end.

Also, as an extra fun fact the English VA for Senku is Aaron Dismuke who voiced Alfonse Elric in the original 2003 FMA anime.

An Anime you read/have the manga of:

I've been reading My Hero Academia (or BNHA) for years. While I don't own it, I read it on the Shonen Jump app. It's a series I'm also enjoying the anime adaptation.

A series with your favourite ship/ship dynamic:

Soukoku (or Dazai/Chuuya from Bungou Stray Dogs) is both my favourite ship in the series and also my favourite ship dynamic.

My favourite part about Soukoku as a ship is the underlying loyalty and trust the two have in one another. Despite everything: their personality clash, their first meeting, Dazai betraying the Port Mafia, they still care for one another. In their own weird ways, yes, but care none the less. How else can the series explain the convoluted schemes in both Dead Apple and in Season 5? That's some "we're two halves of the same whole" level of trust there. They're not even being subtle.

I tag: @a-little-harmed-shinra, @someobscurereference, @shreedle, and @memoryoflife.

[heartorbit]

bugs when you lift up a rock

[fetlockflowers]

[sematarygirls]

ada sonny with an age gap relationship?

i wasn't 100% sure what exactly to do, so i'm just gonna do some headcanons; i hope that's okay !!

                   ౨ৎ

is definitely very, very insecure about the age gap. he worries that he's too old for you, and one day, you're going to realize you want someone closer to your age. it does make him feel better when you reassure him (his love language) that you love him in spite of his age and aren't going anywhere.

he's also always the butt of the joke because of his age. you'll lightly poke fun and call him old when he references something that's before your time, and your friends all refer to him as "grandpa."

you two do not share the same humor. he'll make a joke and die laughing while you're sitting there completely lost (and vice versa).

he claims he's always right because he's "older and wiser" which makes you roll your eyes. he usually is always right, but that's besides the point!

date night is hard to plan because you want to do fun and exciting stuff like party, but he wants to do relaxing and romantic stuff.

you tried to do a cute cooking date once, but he got frustrated because he's such a control freak in the kitchen.

you two argue like an old married couple. looooooots of bickering because he's too mature, and you're very immature.

talks about stuff and asks you to do things that he expects you to know and gets very bitchy when you don't (he's got the sass of a teenage girl)

tries to get you to come to court to see him win at least once, but you find it boring. all the legal jargon and having to sit quietly the whole time makes you want to fall asleep.

finding a show or movie to watch is sooooo difficult because your tastes are so wildly different.

same thing with music. you'll put on a new song you like, and he'll roll his eyes and tell you to put on something actually good (even though half the time he ends up actually liking the song)

he's very worried about what other people will think of your relationship. he loves you and wants to show you off, but he worries that the age gap (completely 100% legal, of course) will rub some people the wrong way.

sometimes, he gets insecure about his grey hairs and wrinkles, but when you tell him how much you love them and how sexy they are, he immediately feels a million times better.

constantly tells you how lucky he is that someone as attractive as you loves an old man like him. he's seriously bewildered why, but he feels so grateful for you. you're everything to him

you make him feel young again, and he loves it.

[xxplastic-cubexx]

I went to a drag show tonight and magneto was there

The performer was mercury divine

Im not gonna lie to you i saw this last night very inebriated and thought i was imagining it and so now that im Not Very Inebriated im very glad to find out this is In Fact real

[yardsards]

i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage

[charmac]

Which episodes have the best Dennis and Mac ship moments?

I wouldn't necessarily say Mac and Dennis have "ship moments" that you can pick and label as the "best" (other than what would make sense as scenes for compilations/edits?) and I'll defer to @psymachine's answer to a question similar to this: don't watch this show for Macdennis moments/episodes.

I can pretty confidently say that Mac and Dennis (and the show) will be lost on whomever decides to go at it through the lens of "best ship moments". Because what is considered a good "ship moment" for something as fucked as their relationship?

Mac is canonically admittedly in love with Dennis, so it's not hard to pull a ton of "ship moments" from his relentless pursuit: you have attempted kissing, erotic dreams, baby trapping, sex doll Dennis, room trapping...all stellar attempts on Mac's side and all important aspects for their relationship (Gets Romantic being one of my favourite episodes), but those moments are almost all, in the most blatant way to put it, sexual harassment. Sexual harassment of Dennis that was essentially born and grown from Dennis' conditioning of Mac's sex life in the seasons before: making and recording sex tapes for him, teaching him the best way to get sex is through carefully orchestrated systems and schemes made up of lies and deceit, that getting off has very little to do with a second (willing) participant.

Barring their individual personalities and mental illnesses, what ends up coming from Mac heavily relies on what comes from Dennis years before, and what is eventually ongoing between both of them (reaching batshit levels of sex chicken) exists among and within that all. IMO, placing any specific "best" on a moment for them as a ship is almost impossible without reference to everything before it (and an actual understanding of it all).

That being all said, what I would call the best ship moments for the two of them are what's hidden between and underneath the hard punches of their back and forth, the subtleties that are continually ongoing (mostly the ones that lead you to understand that Dennis is in it, even when Mac is on the offensive), this shit that's impossible to pin out of context:

The way Dennis gets even stupider when he's wrapped up in an idea with Mac (Timeshare, for example) and the way he attempts to cut off his outbursts when dealing with Mac's own stupidity (see Frank Retires) (and Recession is great for both of these). The fact that Dennis will push past his own grievances for little reason other than to make Mac happy (Suburbs) and the fact that at the end of it all, he's always going to end up going home with Mac (Divorced.. mm). (For all of this in one shot: Inflates)

And for Mac, in more recent events with Dennis on the offensive, when his ever desperate vie for Dennis' attention and affection is pushed back on in favour of being the Mac Dennis truly wants. The Mac Dennis fell in love with decades ago.

[ai-the-broccoli]

enemies to lovers / but you'll never own my heart

@luzon-dove happy birthday, Quinn!! As a present, I decided to draw a piece fanart of your "blood in the walls of the yagami house" AU fic series, since I found it very well-written and full of super interesting ideas and concepts. I hope you like it!

[seiwas]

HI MY BELOVED ANGEL!!! i am sending u mattsun + campfire as well as kisses n hugs <33

SAINTTT hello 🥺 thank you for sending a prompty!! 🥹 idt i've ever written mattsun fully before so this is something new!

help me get back into the writing groove! send me a character + any word and i'll write a short blurb about it!

contains: exes, stranded-y situation, feelings are complicated, some expletives

mattsun + campfire

"i told you we should've brought the spare—"

"yeah, let me go back in time for a sec and do just that."

"asshole."

lesson #1: nothing good ever happens when you're stuck in a car with your ex on the way to somewhere remote.

you blame iwaizumi for this one. who the fuck chooses to spend their birthday weekend in the fucking wilderness?

(okay, you don't actually think it's so bad. to be fair, he did plan this a year ago. and it did sound like a good idea. then. at the time. anywhere with the boys was always guaranteed fun―at least, until you and matsukawa broke up.)

"can you pass me the flashlight?" he points at the backpack behind you. when you hand it over, your fingers brush over his as he takes it away from you.

and you hate it, because―

lesson #2: you should never be alone with your ex when you still have feelings for them.

you'd agreed to take two cars to the camping spot: iwaizumi's with oikawa and hanamaki and matsukawa's with you. there was no way you'd fit in one, and hanamaki ultimately decided to ride with iwaizumi because, "you and mattsun have shit to sort out," he'd said.

with night setting and the two-hour headstart they managed to get ahead of you, the best thing you and matsukawa can do is to set up camp temporarily and wait for them to come back for you come sunrise.

you sigh.

leaves crack underneath your feet as you maneuver around your camping space. the light from matsukawa's flashlight tells you where he is, just a bit deeper in the forestry as he looks for wood to help set up the fire.

you unload the car in the meantime, bringing out some snacks and sleeping bags while waiting.

matsukawa eventually comes back with arms full of wood, and you help in whatever way you can, clearing the space and fetching more twigs when needed.

the entire car ride here had been quiet, so it's not surprising that this entire process has been equally as silent. until―

"did you already pull out your tent?" he asks, half of his body disappearing into the trunk of the car.

"huh?" you go closer, "i only brought out the sleeping bags."

then he sighs, ducking out from the trunk with a hand on his hip, "we only have one tent."

"what?"

"makki must have gotten yours with his when he decided to move cars."

his hand runs through his hair, a habit you know well. it lights up all sorts of weird feelings in your tummy

you don't know how to feel―

"i can sleep in the car."

―but you know that you definitely don't want him to do that. all things considered, you were friends first. and you've both been trying to be friends again since the breakup. you wouldn't want to cause him discomfort like that.

so, with a deep breath, you say, "it's okay, we can just share."

"are you sure?" he stares at you.

you nod.

after setting up the tent, you eat a few energy bars and clean up from the day's events. the campfire provides ample enough heat, but with how fast the flames are burning, you're doubtful it'll last the two of you the entire night.

it’s much later on, past midnight, that your doubts are proven right when you and matsukawa are cramped together in a tent made for one. it started to get cold a few minutes ago, and you've found yourself inching closer and closer to the warmth you’ve gotten used to laying against for the past two years.

he's only pretending to be asleep, you know that much, too. the rise and fall of his chest is hardly there; you can see it, how he's holding his breath being this close to you.

"issei," you whisper.

he opens his eyes, eyelids lifting lazily as he meets your stare. the vibration of his hum reverberates to you.

"it's cold."

for a moment, your stomach drops at the thought that he could ignore you; how it would make perfect sense for him to. you broke up with him after all, and he doesn't owe you anything, much less favors as intimate as this one.

but he closes the already dwindling gap between you, wrapping an arm around your waist as he pulls you closer. it's near, far too near for exes to be―noses touching and all.

"warmer?" his voice comes out hoarser through the whisper.

you nod, your head shifting up and down—which, truly, is where you ultimately fuck up. you feel it, a little chapped but still pliant against your lips.

in your carelessness, you accidentally brush your lips against his, the sensation alone surprising you enough to inch your head back as you mutter your apologies.

"sorry? really?" he asks, eyes half-lidded still as he chuckles.

his question settles into the small space you're in.

your vision trails from his eyes, down to the slope of his nose, until it lands on his lips again. a little split like you've always known, but still your favorite. still the only lips you want against yours.

when you lean in again, you know you're fucked, because―

lesson #3: the number one rule is that exes shouldn't kiss each other anymore.

[hawkeyeslaughter]

Do you have any (minor) headcanons that you have little to no evidence for but you just believe them as if they were the truth?

oh god of course i do

— the nurses taught klinger how to hem , alter , even make some of his own clothes ; he gets so good at it that sometimes they just come to him with their needs

— the uke ( ? ) that hawkeye has hanging in the swamp ? he knows how to play it surprisingly well , he just never does unless drunker than usual

— radar put soles in his boots one time that made him taller and it took even hawkeye like a solid week to figure out what was different about him ( once he did , though , radar had no refuge from the teasing )

— the nurses hold regular gossip sessions and sometimes compare notes on the guys of the 4077th

— margaret knows how to cut hair , taught herself how to cut her own ( because she got sick of barbers not cutting it the way she wanted ) . has more than once had to come to the rescue of nurses who have marred their hair by taking the scissors to it

— in college bj was a relentless and revered hazer ( which is funny considering he barely got through his own hazing )

— hawkeye’s use of petnames ( “ darling “ , “ sweetheart “ , “ baby “ , etc etc ) are all picked up from trapper . prior to meeting him he hardly ever used them

— when oliver got his orders home , trapper and hawkeye threw him a rager in the swamp and were very badly hungover for their actual goodbye the next day

— father mulcahy has that thing where he hears a tune and can instantly play it on the piano

— charles falls asleep regularly during movie nights hawkeye and beej drag him to , usually on hawkeye’s shoulder

— trapper is colorblind . not like , drastically colorblind , but hawkeye finds out one day and teases him absolutely relentlessly for it

— trapper and oliver always did this bit where they pretended they were whispering things and wouldn’t tell hawkeye what they were saying because it was funny to watch hawkeye get all huffy and annoyed with them

— henry has to do the right / left things with his hands all the time ( PLSASE ITS SO STUPID )

— margaret has a crazy sweet tooth + sometimes bj asks peg to send sweets back specifically for margaret

— potter’s horse or pet names in general very rarely alter because he just can’t be bothered to come up with new creative ones . besides , tried and true always works

— klinger is a pool shark . idk why he is he just is . he has pool shark vibes

— trapper briefly considered going into pediatrics

— charles sometimes has very serious conversations with the camp strays ( mainly just voicing whatever he may be thinking of at the particular moment )

— radar sometimes likes to imagine he’s the protagonist in a superhero world and i mean why not . little dude is literally psychic

— hawkeye has a habit of ripping at his nails , klinger regularly checks them and manicures them for him

— the nurses and swamp rats regularly get involved in prank wars . the nurses are far more clever than some people realize

— hawkeye and trapper stood back to back once to see who was taller and had radar judge ( hawkeye tried to bribe radar to say it was him )

— one time margaret made frank cry so hard he threw up . good for her

— bj has weirdly good reflexes and can catch things while barely looking up , he has a habit of saying “ i knew i should’ve gotten into baseball “

— charles does that thing where someone asks him to do something and he says “ no “ while actively doing it

— the swamp rats are all actively ready to swing on anyone who upsets one of the nurses and that goes double for margaret . sometimes they actually do

— hawkeye has a pair of roller skates . do with this information what you will .

— father mulcahy is a self - taught painter

— henry tells the same stories more than once and hawkeye , trapper , and radar have a mutual agreement to pretend they’ve never heard them whenever this happens

— hawkeye and radar have made many a pinky promise , and never once did one get broken

— charles is surprisingly a god awful secret keeper , he tells most secrets to margaret

— henry is scared shitless of cats

[sergle]

Thank you for not being on the Cesar Millan shit. God, that man is a horrid piece of shit.

oh god,one of those hardcore negative reinforcement dog trainers? actually I just googled him and GODDDDD THIS FUCKING SHIT LMAO. alpha..... also aren't his dogs also reactive? didn't they attack some people

brother come on

[fobnsfwdoodlesbackup]

Finding out Pete wrote the lyrics for Baby Blackout by Daisy Grenade and going insane. She was a teen girl writing about a breakup your honor. Anyways, here's Pete on the cover of his own shojo manga because he deserves it and I think he'd like it.

(more webweave-y gender truthing type shit below the cut)

[citrusai]

cole not showing up in veilguard despite literally joining solas & his cause is so... then again the whole fen'harel agents and elven rebellion plot was scrapped and solas' character was reduced to going oooo rook you wanna repeat the cycle of abuse and indentured servitude i am in currently ooooo rook you wanna be me soooo bad ooooo rook you wanna kill the evanuris for me and then i'll tear down the veil anyway oooooo rook go prey on your companions' trust in you to kill themselves for you like i was willing to do for mythal. oh u got her to forgive me? oh and the inquisitors here too and they forgive me? oh and you forgive me even though it's clear idgaf about you or your opinions? well alright the veil can stay. despite the fact that it's obviously deteriorating anyway and me making the black city golden again won't do a fucking thing. ok i'll go :)

[anjaliprimaveral]

Can you do a version of impacto Hellerby clip but reversed? i would love to see your artistic take on a different parallel 🙏🏼!

I did think to do something like that, like when I started to do that animatic I was thinking if Mordecai was the one who falls in love with Rocky but the lyrics (I felt) go well with Rocky than Mordecai. But yeah, I like the idea tho. I've been thinking for several months about making an animatic of Mordecai being the one who falls in love first and the song I want to use is... Your stupid face.

LIKE GUYS PLS THAT SONG IS MORDECAI FALLING IN LOVE AND IS SO JYETJHAASDA UEUEUEU SILLY GONNA KRILL HIM BUT HEY I DO HAVE THE IDEA FOR THE WHOLE THING... I just need to do it... uhm time ñomñom

But Im gonna still think about your request with the song Impacto

[xxplastic-cubexx]

adding 'tentacles are in the walls' to my list of vague x mansion facts

(X-Men #25)

[2deadkat]

i'd love to hear ur complaints abt modern geronimo! If u'd like to share that is

Thank you for asking anon, I’d love to share and you have inadvertently entered the dragon’s den/lh

But fr tho, it’s a lot. It’s mostly pertaining to the writing.

The reason why I hate modern Geronimo is in the biggest nutshell possible, they screwed up the original dynamic for the Stiltons, a majority of the books is just one big game of Geronimo torture porn between the other characters, and overall a lot of wasted potential for unique interactions between the wider cast and the rest of the Stiltons as its limited to just Geronimo himself. Hell a lot of the plots could have the input from the other Stiltons if they were brave enough. And there seems to be a new character every few books and there’s no rhyme or substance to it anymore. Since when did trap reproduce???

And you’re telling me von Volt has another relative???? Yk at some point you just stop reading the books. Oh and do not get me started on the Thea problem…

Let me start with the Stiltons real quick, somehow they got worse by watering down their personalities to a bunch of cheap jokes.

What made the classic (or early) books work was that the whole point of Geronimo’s character is that yes he’s a wimp, but that’s because he’s a tired boss who gets dragged into his family’s shenanigans, and by extension his friends and allies around him. Everyone has some eccentric personality that shocks or baffle him in some way, and that’s where the comedy comes from. He’s able to stand on his own because of his duties and eagerness to stay in his comfort zone is where the meat of the interactions come from.

His family especially Trap and Thea were meant to be respective foils to him. Trap consistently bullies him and Thea is meant to be the direct opposite of him, she’s the driving force in the group and has more pants to cover up what Gerry doesn’t have. She’s the one behind a lot of their adventures or scoops, hell she’s also the one who keeps finding them in the first place and drags her family and connections into them which makes sense because that’s her job and also where a lot of the plots start from. She fills out the spots that Gerry doesn’t have. Trap is just pure comic relief and is basically that outside force to the group. Hell the two even have a dynamic of their own where’d they just fight over the most trivial things and that makes us side with Geronimo more because of the ridiculousness of his family, that’s what made it click (to me). Highly recommend you read the early books, it shows the strongest character imo (#1-20).

Now Geronimo has all his autonomy stripped away and he’s been reduced to a nothing but a punching bag for everyone around him. I hope I’m not kidding here but try reading a classic book (let’s say #7 or #26) and compare it to the writing in a modern book (let’s say #46 or #74) it’s very jarring. They put more emphasis on different ways his day is ruined and give him no room to breathe or stand on his own. There’s just no charm to that anymore. There’s no fine line with his relationship with the other characters (Run for the Hills Geronimo is probably the worse one and represents everything I don’t like about the new dynamic)

Now over time that initial draw to action is also done by Trap, which I thought was cool because it still plays into the idea of Geronimo’s family dragging him into their shenanigans and the motives make sense to him specifically. It’s like he keeps getting calls from his relatives on schemes which is fun. But the more you keep reading the modern books the dynamic gets skewed over time and here’s the part I’ve been waiting for…Thea gets shelved completely. And now it’s somehow the GOD DAMN GINGER BROS SHOW?????

Now I think about it, Trap used to be a lot more clever in the classic books as well, he’s essentially a bumbling fool who keeps falling into the wrong situations to make a quick buck which slowly backfires on him. If you know me that well you know I’d call him a less scummier Grunkle Stan. The fact that there’s no Thea to balance it out or at least ground the dynamic to some level feels really annoying now.

You don’t really see much of her anymore as she’s either smiling at the back or doesn’t say more than five lines anymore, which is baffling because she’s the one who can pick up the pace the most. I really wished they showed more of her involvement again…They’re a trio, not a duo…and the books are suspiciously phasing her out to make room for the ginger bros fail routine and it ultimately feels very empty…there’s not much acknowledgement or involvement from her really like they could say she’s busy at mouseford or something but nope! Shelved completely without an explanation or a missed opportunity for a tie-in mention.

So far the only redemption I see is the Mayan Mystery one and the Soccer one where she had a more integral role which are way more recent but it still bothers me that they just shelved her for a majority of the modern run.

Listen if the modern books weren’t cowards she would SOLO all these people

she’d probably have an interesting dynamic knowing that she gets along with everyone well and is technically an adventurer. It’d be such a good parallel to her brother to play off of.

hell it’s even worse in the comics. Like there’s legit no acknowledgment of her at all, when trap is absent that gets an explanation but she’s just suspiciously…gone and the only time she does have a major role is when she’s used as a fake mask for a psyche-out to the villains (I’m sorry but if the comics are gonna pull that shit then I’m baited to believe that Thea and (cat lady) would have a homerotic switcheroo fight akin to Ms.Bellum and Sedusa. SHES THE TOUGHEST AND SMARTEST RODENT, USE HER GODDAMIT)

Idk man I tried reading some of the comics and it never worked out that much, again the dynamic feels suspiciously empty with zero acknowledgment. It’s not the Stiltons it’s just the fucking ginger bros for some reason. It doesn’t feel solid like it used to. I really can’t get into them which is a shame, and tbf why would I want to read a comic where Geronimo goes back in time and helps a colonist do his thing 💀

I’d be very happy if someone here can give me one good reason to get into them somehow, I want to like modern Geronimo, please/s

Look if there’s one character I don’t mind them putting in complete absence it’s probably the unaccompanied minors/s…Or Petunia which makes much more sense since she’s a family friend!

Look I actually like Ben and Bugsy as a duo, I think their whole concept is really wholesome, but the books don’t really push their parts that much, like there’s no meaningful interaction they have with the adults which is a lot of missed potential that or it’s just limited to Geronimo. Like listen I get that the whole point of the books was that it was from Geronimo’s perspective, but it’s not like everyone else was just “present”. They had more active roles and Gerry would just write all his observations down. You want a good example? The Mona Mousa Code.

Still…Benjamin had more charm and a bigger role in the classic books…that boy can hyper fixate and master niche skills in anything and was the emotional rock for Geronimo. But now he just goes along with his uncle being a punching bag routine :/ and I KNOW they could do a lot more for Bugsy here, especially since the paws are practically family friends.

—-

But you know…I’ll do give it credit here this era has one of my favorite art styles in the series and notably the one I grew up with the most (classic books illustrations still hold more charm imo) but the way action and expression is illustrated is just *chefs kiss* there’s a certain bounce to it that makes it so memorable.

And I’ll do admit all those geography facts (even if it’s just basic facts I mean it’s a kids book) and long detailed lists or charts about a characters detail is really cool and somehow makes it more immersive.

And it’s really nice to see the universe get expanded.

But overall, the writing is not the same anymore, the original dynamic is screwed up, and lots of missed opportunity to round up the cast together. It’s either empty or I’m just getting too old…Maybe I’m just nostalgia-biased in different areas who knows. But that’s pretty all my thoughts I can pull out.